Starring Nicole Kidman, Dakota Blue Richards, Sam Elliott, Daniel Craig.
While fans and the most dedicated young bookworms may make the effort to explore the story’s deepest meanings, this film adaptation proves far more nebulous than nefarious. Artistically the visual effects are certainly spectacular, but the plot suffers from a protagonist who isn’t particularly engaging and an enemy that lacks definition.
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And when the battle begins to brew, people are killed with spears and guns as the situation in this already dark film begins to intensify.īy the time the credits roll, this $100 million plus production is a bit of a letdown. Other scenes show children locked in steel cages while bolts of electricity attempt to separate them from their daemon. Lyra is in peril for most of this film, and is fearful of adults. Tyrannical religious depictions aside, parents will undoubtedly be concerned over the portrayals of cruelty and violence. By the closing act the lines are clearly drawn between Lyra’s freedom-fighting camp and the all-powerful, oppressive Magisterium.
These include a western-type cowboy named Sam (Lee Scoresby), a “Gyptian” Lord (Jim Carter) and an armored polar bear (voice of Nonso Anozie).
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The balance of the movie develops into a “road trip,” with Lyra meeting strange and interesting people along the way.
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However, it is up to her to know how to read it.
She is also handed an Alethiometer, a strange compass-like device capable of telling her what is true. Coulter (Nicole Kidman in a dress she could only have been poured into), the little lass finds fierce support for her cause. When Lyra’s friend Roger (Ben Walker) disappears and she gets wind of the goings on, the precocious girl determines to fight the ruling order. In an effort to “protect” their tiniest citizens, the Magisterium begins secretly kidnapping all of the children and sending them to a remote northern location where the connection between them and their daemons will be severed. These undesirable influences are represented by a “dust” from other planets, which is falling on their world and threatening to open a child’s mind to divergent schools of thought. Directed by a group of aging men (who bear a striking similarity to Catholic clergy), the organization holds a power extending beyond typical political boundaries and into the desire to control the possibility of youngsters being corrupted by outside ideas. The reigning authority in Lyra’s society is the Magisterium (a likely-not-coincidental real-life term for the teaching authority within the Catholic Church). When a person dies (which happens frequently near the end of this film) the daemon goes “poof” into a vapor of CGI dust. The daemons of children tend to vary frequently, the different animals representing their ever-changing nature. These critters are referred to as “daemons” (pronounced “demons”) and appear to reflect/personify their owner’s emotions. In her world souls do not live within one’s own body, but instead inhabit animals that follow at your side (like an overly devoted dog). Lyra Belacqua (Dakota Blue Richards) is a 12-year-old girl living in a “parallel universe” to our own. Although it is rumored the screenplay contains less of the author’s philosophical perspective than is found between the pages of his lengthy children’s novels (I can’t confirm this as I have not read the stories), our review will focus strictly on what is presented in this film. This is mostly because the movie is based upon the first book in the “His Dark Materials” trilogy, which are authored by devout atheist Philip Pullman. The Golden Compass finds its way to the silver screen amidst a swirl of religious controversy.
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